Johannesburg’s multi award winning Market Theatre has been on South Africa’s political, cultural, and social frontline since 1976 when it opened as an independent, anti-racist producing house at the height of the apartheid era. Championing a diverse collage of edgy, raw, authentically African work and creativity, it’s helped to give a voice, ask leading questions, and build solidarity for those who have been silenced and ignored.
Coinciding with Denmark’s “Freedom Day” – the lifting of all the current coronavirus restrictions – in September, an innovative and popular production of Jesus Christ Superstar featuring the Danish Chamber Orchestra (Danmarks Underholdningsorkester) conducted by Andreas Vetö was staged at Copenhagen’s Royal Arena, complete with a spectacular lighting and stage design by Sune Verdier.
Schouwburg Kunstmin is a theatre and performing arts venue in the Dordrecht, the Netherlands, which has invested in Robe’s T1 Profile LED moving lights – a stylish and refined energy-efficient luminaire designed with the demands and precision of theatre lighting at its core.
Robe’s waterproof iSpiiders wash beam LED moving lights provided a perfect solution for the recent production of “Stuttgart. Ein Traum” (Stuttgart. A Dream) a lively, funny and innovative new work that is a collage of street, puppet, physical and ensemble theatre performance referencing the city’s history and culture, created in a collaboration between Stuttgart Staatsgalerie, the Schauspielbühnen Theatre.
Zodiac The Musical is a brand-new musical produced by Peet Nieuwenhuijsen, directed by William Spaaij and staged at the Koepelgevangenis, a former prison in Breda, The Netherlands, which provides a spectacular backdrop to this compelling and entertaining piece set in 2031 … focussed on a number of human, political and environmental issues.
Lighting designer Christina Thanasoula brought her unique visual style to a recent Greek National Opera production of “Juditha Triumphans” with the help of some Robe LEDBeam 150s. The performance was directed by Thanos Papakonstantinou with music delivered by the Armonia Atenea Orchestra, musical ensemble Il Pomo d’Oro, the GNO Chorus and members of the GNO Children's Choir and conducted by Markellos Chryssicos and recorded for broadcast on the Mezzo TV channel.
The first Robe T2 Profiles to arrive in Australia were snapped up by Perth-based lighting and visual rental and production company What Noiz and made their debut on the lighting rig designed by Matt Marshall for West Australian Ballet’s compelling “As One: Ballet at the Quarry”.
The Staatsschauspiel Dresden in Germany joins a long and growing number of high-profile performing arts venues that are investing in Robe’s T1 series of moving lights, a refined product line tailored to meet the exacting demands of this sector.
Robe luminaires were selected for another premium cultural project, this one at the Said-Galiev Cultural Centre in Derbyshki in Kazan, the capital of the Russian semi-autonomous region of Tatarstan, an area renowned as a lively melting pot of Russian and Tatar heritage.
Danish rental operation Live Company made a massive investment in Robe ESPRITE and LEDWash 300X moving lights, together with a RoboSpot remote follow spot system, in March 2020 just before the pandemic hit effectively closing the live concert and event industry worldwide.
The Deutsches Theater in Berlin is one of Germany’s foremost producing houses, highly acclaimed for its cutting-edge work. In the last year, the venue has added 20 x Robe T1 Profiles which are available across its stages, a move specified and overseen by head of lighting Robert Grauel and his team including Linus Zahn who is the lighting systems tech and person in charge of new technologies.
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