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ParFect 150™ RGBW
ParFect 150™ RGBW
7x 40W RGBW multichips
3.550 lm, 12.200 lux @ 5m
3,8° – 60°
Just like with spectacles, our lens coating technology protects soft plastic lenses against surface scratches, that can even occur during cleaning when scrubbed repeatedly. Anti-static properties prevent dust build-up on the lenses, thus extending the period between maintenance cleaning.
Robe fixtures homogenise beams really well but, for the ultimate smoothness, most of our pixelated LED wash lights can easily be fitted with a Fresnel Wash (FW) diffusion filter in-between the LED array and the lenses. They can also be ordered pre-installed if desired, as FW versions.
Accessories
Dual Foam Shell ParFect 150™Technical Specification
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Related News
The UK’s Festive holidays ignited the zany and uniquely British performance phenomena of pantomime which came to theatre stages up and down the UK! This year lighting designer Andy Webb was delighted to be asked to design two high-profile panto shows – Aladdin at the Waterside Theatre in Aylesbury and Beauty and The Beast at the Festival Theatre in Malvern, both for UK Productions (UKP).
The brand-new Amare building is an arts, culture, and educational hub on the Spui in Den Haag, the Netherlands which opened last year at the heart of this lively capital city, after six years of construction. Built on the footprint of the old Lucent Danstheater, Amare is a new centre for excellence and houses the Dance and Music Center, The Hague Foundation, the Residentie Orkest, the Nederlands Dans Theater (NDT) and the Royal Conservatoire.
This newsletter is summarizing latest release of software updates, technical documents and certifications (Declarations of conformity for CE and UK). Read on for further information.
The UK panto season is back with a BIG bang after waiting in the wings during 2020 as the country squared up to Covid-19, reigniting all things panto like slapstick comedy, toilet-brow innuendo, gawdy sets, psychedelic vibrance and total craziness for which it’s known and appreciated, with lighting designers around the country delighted to be back working on this peculiarly English and highly expressive genre of performance.
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